The ability to collect and store data continues to increase, but our ability to understand it remains unchanged. In an attempt to gain better understanding of data, fields such as information visualization, data mining and graphic design are employed, each solving an isolated part of the specific problem, but failing in a broader sense: there are still too many unsolved data visualization problems. As a solution, I seek to bring the individual fields together as part of a single process. I’ll be showing examples of work developed as part of my Ph.D. dissertation at the MIT Media Laboratory, as a postdoc studing genetics at the Eli & Edythe L. Broad Institute of MIT & Harvard, and more recently running a company that consults on design and software development. The work ranges from illustrations of data for magazines and journals to software tools used by geneticists to interactive database applications for Fortune 10 companies.
Ben Fry received his doctoral degree from the Aesthetics + Computation Group at the MIT Media Laboratory, where his research focused on combining fields such as computer science, statistics, graphic design, and data visualization as a means for understanding information. After completing his dissertation in 2004, he spent time developing tools for visualization of genetic data as a postdoc with Eric Lander at the Eli & Edythe L. Broad Institute of MIT & Harvard. During the 2006-2007 school year, Ben was the Nierenberg Chair of Design for the Carnegie Mellon School of Design.
He is the author of Visualizing Data (O’Reilly, 2007) and the co-author, with Casey Reas, of Processing: A Programming Handbook for Visual Designers and Artists (MIT Press, 2007) and Getting Started with Processing (O’Reilly, 2010), which describe the project they co-founded in 2001. Ben’s work was part of the Whitney Biennial in 2002 and the Cooper-Hewitt Design Triennial in 2003 and 2006. Other pieces have appeared in the Museum of Modern Art and the International Center of Photography in New York, at Ars Electronica in Linz, Austria, and in the films Minority Report and The Hulk. His information graphics have also illustrated articles for the New York Times,New York Magazine, and the journal Nature. Ben was selected as one of Fast Company’s 50 Most Influential Designers in America (2011) and as one of Slate’s Top Right (2011). He has lectured on data, design, and programming on five continents.
In 2011, Ben won the National Design Award for Interaction Design. At a White House luncheon for the honorees, he had the opportunity to meet Michelle Obama, whom he found to be very gracious but quite imposing in heels.